Saturday, 31 October 2009

The attack of the flu.

It's been a bit quiet here, and I suspect it may continue in that fashion for at least a few more days.

Reason being the evil flu of death.

The moment I got home from the convention, I was struck down with this nasty thing and have been mostly lying in bed, sweating :P

Let's just hope it goes away soon before I go mental from not being able to draw.

Sigh.

Thursday, 29 October 2009

A personal account of the Women in Comics Conference.

Women in Comics Conference
25th October, 2009

The day started with our arrival at New Hall in Cambridge. By the entrance was a lovely lady called Amanda Rigler, who I’ve been in contact with over e-mail previously, concerning women in comics. Me and Ellen received our little name tags and were shown to the morning coffee reception before the talks commenced.




Ellen on the left. Me on the right.

I’m a very shy person (believe it or not), so when I was confronted by the sight of confident, professional comic-book creators and enthusiasts, I preferred sketching and observing them from a distance, rather than conversing with them myself.





After the coffee reception was over, the talks began! Sadly, I found out that the speakers had been split into two different rooms, so I wasn’t able to attend all talks. In the end I chose the ones that were most relevant to my dissertation (which focuses on the –content- and style of Graphic Novels created by women), and got ready for a day of inspirational ladies (and two men!).

The first one to take to the ‘stage’ was Asia Alfasi, a Libyan-British manga artist, and even though I’m not a big fan of manga myself (I find the mainstream style much too constricted), Asia, as a person and artist was very fascinating and unique! She is currently working on an Autobiographical Graphic Novel about her upbringing with the different cultures meshing together (Muslim, British, Scottish etc), also talking about her choice of wearing the hijab (headscarf). It was a very personal and optimistic talk, which I enjoyed a lot.



After Asia came Sarah Zaidan who spoke about her post-doctoral study ‘Miss Meta: Analysing the Female Superhero Through Time’. She showed the evolution of superhero-physique and discussed what triggered the changes. I figured this talk to be very interesting for people who are into superheroes, but I’m not one of them, so I found myself sketching Sarah herself and her choice of clothing for the day. She has a bold style with strong reds which makes her look like a character out of a comic book.



The final morning-talk was held by Sarah McIntyre who spoke about her experiences within the Picture Book industry and how comics are sneaking into this genre. Even though picture books tend to be for children and I want to do graphic novels for a more adult audience, I found this talk very inspirational. The reason being her slideshow of different comic-book and picture-book pages, where you could see the colour, composition and stylistic choices made by the artists. Most impressive were the silent narratives. It takes a lot of work to make a story flow without words in a comic.

When the three first speakers were done, a short panel discussion took place, which I found was mainly dominated by Sarah Zaidan.

And then, Lunch break! We were all offered food and drinks in the conference hall, so me and Ellen grabbed as much as we could and sat down on the floor in a corner again to eat and draw. I doodled people while munching on some lovely ham-sandwiches.


That is orange juice in the wine glasses. Not wee.



Lunch-break over, it was time for the long awaited talk by Melinda Gebbie, the artist of Lost Girls, an erotic Graphic Novel that has been in the making for 16(!) years together with Alan Moore. I didn’t really know what to expect. My initial thoughts were simply: Erotic Graphic Novel? Ooo. Alan Moore? Ooo.





Melinda turned out to be quite a character, with a strong attitude, but what made me really lean forward in my seat and allow my jaw to drop slightly, was when she expressed her views on traditionally made artwork versus digital.

‘I come from a background of doing everything by hand.’

My ears perked up. She continued to speak about her experiences with computers.

‘I don’t know how they work. I don’t know how to relate to them.’

… And then explained why she did Lost Girls entirely by hand.

‘It’s a loving, stroking, hands on meditation which you could only do with your hands, because it’s a part of your body which goes directly onto this beautiful paper… And then you’ve got the originals forever.’

She spoke of the importance of physically layering the artwork with your own hands, onto paper in front of you, not on a computer screen with a plastic tablet.

At this point, I was in love. Perhaps even going slightly lesbian.

‘You must never be hindered by what other people think.’

She continued speaking about the current obsession of making things as quickly as possible, and also how the road of a narrative illustrator is a long and lonely path, but with great riches at the end.

‘You are the one who makes gold, out of shit, frankly.’

Swoon.

This talk was the highlight of my day. I even forgot my dull aching back, which wanted to constantly remind me that I’m female and not pregnant.

When Melinda was done, she sat down in the front row with me and El. I was starstruck and hated my shyness.



The afternoon split sessions of talks commenced. I chose the room which focused on Autobiography. At this point, someone had taken my pencil(!) and I was forced to sketch with a pen. This is a serious offense in my book.

First lady to step up was Kate Evans, a political cartoonist who has a history of crazy protests. She’s lived in a tree house. She’s been to a protest rally in a pink samba outfit… In short, she’s a little bit nutty, in a good way of course!

After her came a duo. Namely Woodrow Phoenix and Corinne Pearlman. They wanted to discuss whether Autobiography is a trap. Whether is makes us lazy, not bothering to create something, but simply using our everyday lives as material. Corinne also showed some images relating to her jewish background. I had a fleeting thought of creating an atheist comic.

These two talks were very useful for my dissertation, but I found myself still thinking about what Melinda had been saying earlier and feeling a little buzz in my tummy.

A panel discussion commenced, but I wasn’t able to draw all three of them before it was time to break for tea (curse you, slow pen!).


Kate Evans on the left. Corinne Pearlman on the right. Not enough time to draw Woodrow Phoenix. :(

Both me and El were exhausted at this point, but we really didn’t want to miss the last talk of the day. It was going to be a conversation between Dominique Goblet and Paul Gravett.



I am personally a big fan of Paul after having a tutorial with him at University last year and then being invited to the Bristol Comica event (which ultimately lead me to Insomnia Publications). I see him as the person who helped me get to where I am now. He was the one who told me to come to the Comic Con and bring my drawings with me to show to people. Something I wasn’t very confident in doing.

It’s hard to find anyone more optimistic, encouraging, knowledgeable and friendly than Paul Gravett. His way of conversing with people makes them feel completely at ease and seemingly happy to open up. It made me remember his chat with Kevin O’Neil at the Bristol Comic Con, which was a pure joy to watch.

But back to the conference talk!



Dominique Goblet is a French painter of complex narrative. She has the ability to switch between styles seemingly effortlessly. I personally liked her more detailed and lifelike drawings. She’s brave enough to challenge the boundaries of comics and fine art, asking things like: ‘What IS a comic?’ and also inviting the audience to think about ‘the truthfulness of autobiography’. Are the creators making some of the stuff up? Are they exaggerating? Leaving some important bits out? Twisting it? You need to approach Autobiographical Graphic Novels with care.

And so the conference ended with the gathered offered to join the speakers at a local pub to continue the discussions. I had to catch a coach back to London and El had to get to the train station, so we didn’t join the others at the pub. At this point I was also feeling utterly exhausted and in need of some paracetamol, so the thought of socializing made me want to hide in a corner somewhere.

Today I regret not taking time to join them at the pub. Just about as much as I also regret not approaching Melinda and simply telling her she’s awesome, and not poking Paul Gravett to see if he remembers me at all.

But all in all, it was a pretty damn cool conference, and I will be sure to attend any future ones.

/Jennie Gyllblad

Meeting with the writer!

Wednesday, 28 October 2009

Photobooth can make the most horriffic of images.



Lovely. :D

Women in Comics Conference... continued..!

Just two more..!


Lunch break. Muwahah. Elface the pig! And an overprotective Jen.


During the Melinda Gebbie talk, we were shown some blatant pornographic artwork, tailored to suit women. It's times like these I can't believe I'm actually doing -work-. Aaah.. *leans back*

Women in Comics Conference.

Here are a few doodles of my experiences at the conference. They haven't got the explanations attached to them, so they may be a bit out of place, but I'll add the surrounding info soon. :D











Tuesday, 27 October 2009

JEN IS BACK.

ZOOM.
I haveth returneth to zeh land of Brizzle!

Here. Have some sketches! Some rubbish, some less so. They are in no particular order.
Very jumbled up.


Arrival in Cambridge. Rain. Period pains. Glorious...



CHICKENS. The people I stayed with had chickens in their back yard!


Melinda Gebbie. Artist of Lost Girls.



Random belly dancer. Painted in a Caffe Nero in London.



One of the speakers at the conference.



CHICKEEEEENS.



Sketching at a coffee shop. El is trying to work on her dissertation :D



Cambridge Zoological Museum. Drawn whilst having lovely period pains. So I didn't stay long.



Zoological Museum again.



Random doodles while having breakfast at The Soho Breakfast Club. :D



Doodles during conference. After my pencil HAD BEEN STOLEN. :(


Conference doodles. Including Paul Gravett's shoe!



Panel discussion. Wasn't able to finish it before it was tea-time though. So Woodrow Phoenix is not included. :(



Sketching people during the lunch break.

Wednesday, 21 October 2009

Off on the road for a week!

I'm heading off to London and Cambridge tomorrow morning and will be gone until Tuesday. So it's gonna be a bit quiet here, but I hope to get back with lotsa sketches.

Also. I managed to finish the Steampunk short story. Hooray!

Sunday, 18 October 2009

Working on the last page...

... Which proved to be a bit more difficult than I originally anticipated.
Being the last page, I also left it all until the very last minute, foolishly focusing my attention on the three first pages instead.

Note to future self: Don't ever leave last page with apparent punch-line until last minute. Bad bad.

Issues with comment-posting.

I've had quite a few people contact me to say that they can't post comments on my blog for various reasons.

Is this some blogspot issue? Or something with my own settings? Or what's going on? :(

... Also realize how ironic(?) it is that I ask people about the comment posting problems, expecting them to post comments about it :D I sense a FLAW in my plan!

Saturday, 17 October 2009

Aaaaand page threeeeee...

... Mmm.. Beddd.. Would be nice... Right about now..

(this page is my most experimental one when it comes to panels. too tired to say anything else than that)

Oh god. *hides* please be gentle. :(

This is just traumatizing! I have absolutely no idea if this is readable to anyone else than me.



Deadline ridiculously close! Argh!

This project half-forced me to properly work with photoshop. I've been both frustrated and impressed, but in the end, I'm still very much preferring the traditional approach. Photoshop is a nice tool to just tweak small things.

My tutor told me to do all the panels for this comic individually and then stick them together in photoshop. I have been chewing on my desk during this process and I can't say I'm happy with the result so far, so I'm still working at it...

But here are some random panels on their own.





Friday, 16 October 2009

Deadline VERY close.

Painting away. I have to be simplistic because of the sheer number of panels (20 of them) that need to be done.





Back to Uni now to hopefully finish all of this. Gah.